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And in the beginning
A life-size dolphin in South African hardwood, was my beginning with wood - a
beginning with a story almost as amazing as a real dolphin
..
Jersey, Portugal, Bavaria and now here we were in Tenerife, playing music and
singing, Liza and I, the Duo, Two-gether, our way of life for many years. Long, hot sunny
days of tennis, swimming and lessons in Watercolours for Liza from Alan, a crazy itinerant
English artist in the next village. He was a good teacher, Liza rapidly became a
proficient watercolour artist and Alan received a good commission to produce a full-size
dolphin figure head for a beautiful solid hardwood boat, being built at the local boatyard
to take tourists on 'Dolphin Safari' trips. Tragedy was about to strike
10.30am Wednesday, 7th February 1996, a very distressed Kate, Alan's
wife, arrived at our door. Alan it seems was roughing out the Dolphin with a circular saw
blade fitted in an angle grinder. A split second of inattention and two and a half fingers
of his left hand. roughly severed, lay on the concrete floor. He was flown by helicopter,
with severed fingers carefully wrapped and packed in ice, to a specialist micro-surgery
hospital in the capital, Santa Cruz, where after eighteen hours of skilled attention they
were re-united.
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April 15th after my usual daily swim in the waters off Los Gigantes
beech, I tried to shake water from my left ear to no avail. I had a problem hearing
clearly at that evening's gig and thought I had an excess of wax. I awoke the next
morning, violently sick, no balance, totally deaf in my left ear. After several weeks of
antibiotics and then steroids, it was May 8th, back in Santa Cruz, where a
specialist hit me with the bombshell and a shake of his head, "your inner ear has
been destroyed, probably by a common cold virus and I am sorry but your deafness is total
and permanent in this ear."
Hours spent sculpting the Dolphin were a mental saviour and gave me great
pleasure. The 8th June arrived and after its forth coat of oil, no one was more
proud and surprised than me by the final result which now graces the bows of "Flipper
Uno" as it sails out and back from Los Gigantes marina every day, with its fair share
of excited tourists, to experience the magic of the many Dolphins in this area of
Tenerife.
I was hooked. A resident ex-pat persuaded me that I was just the person he had
been looking for to sculpt something from this beautiful Eucalyptus tree, felled four
years previously when it had out-grown his garden. I spent many hours 'switched off' from
my depression, letting this piece of wood lead me, as I worked on it outside in our
garden. Many tourists, of all nationalities, stopped to pass encouraging comment and
monitor my progress! Kung Fu classes helped restore my balance enormously and the extreme
physical exercise was also beneficial to my mental attitude. 'Kung Fu' our Instructor
informed me, means 'achievement through effort' so this became the tittle for my first
tree-trunk piece, which returned with us to England in May 1997. There is a further
remarkable coincidence connected with my 'Dolphin start' and deafness - but that, as they
say, is best kept for another time.
Summer and Autumn 1997 were spent in a small garage sculpting, visiting many Arts
and Craft shows, acquiring much beautiful wood - Yew, Cherry and almost three ton of
Walnut! I now have a 'purpose adapted' self designed studio, out in the countryside near
Andover, with 10ft. of headroom and hydraulic lift for really large pieces. My piece 'Kung
Fu', made a favourable impression at the Hampshire Sculpture Trust's annual exhibition
1997.
I am currently looking for private companies, corporations and public
organisations who would appreciate the beauty of a large sculpture in wood for their
reception area or other prestigious site - perhaps to celebrate the new millennium; or as
a gift to a valued client? The free publicity to be gained from such an unusual decision
can also be invaluable. Think about it, then talk to me! I have some exceptionally fine,
large pieces of walnut, yew & cherry to choose from.
Each and every sculpture I produce is truly unique and can never be reproduced, or
copied, as the final 'design' is always dependant on what I find as the piece is worked.
Each piece 'evolves', as I discover perhaps a knot, a flaw, rot, outstanding
colours or figuring - working in sympathy with the way the wood grew, to expose it's
maximum beauty and to create sculpture of curvaceous elegance. Cracks and flaws are
perfectly normal in this type of work. This is not bland constructional timber. As with
all wood, it will not continue to look its best if you expose it to extremes of
temperature, humidity or strong sun!
I hope that you enjoy what nature and I
have created together.
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